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First in-depth study of the ground-breaking work of artist/choreographer Trisha BrownTrisha Brown re-shaped the landscape of modern dance with her game-changing and boundary-defying choreography and visual art. Art historian Susan Rosenberg draws on Brown's archives, as well as interviews with Brown and her colleagues, to track Brown's deliberate evolutionary trajectory through the first half of her decades-long career. Brown has created over 100 dances, six operas, one ballet, and a significant body of graphic works. This book discusses the formation of Brown's systemic artistic principles, and provides close readings of the works that Brown created for non-traditional and art world settings in relation to the first body of works she created for the proscenium stage. Highlighting the cognitive-kinesthetic complexity that defines the making, performing and watching of these dances, Rosenberg uncovers the importance of composer John Cage's ideas and methods to understand Brown's contributions. One of the most important and influential artists of our time, Brown was the first woman choreographer to receive the coveted MacArthur Foundation Fellowship "Genius Award."
About half-way through this book it struck me how ambitious this book really is... Rosenberg's challenge, to communicate not only the complex ideas behind Brown's project but then to deliver descriptions of her dances, is a monumental task of exposition. Rosenberg more than steps up to that challenge. Brown operated in one of the most dynamic arenas that American art has known - Rosenberg draws Brown's context out richly enough to elicit deep feelings of nostalgia for an era of seemingly unlimited possibility. In that sense, this book is highly motivating. I highly recommend this book.